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Alison Scott
- Jan 8
(REVIEW) This is a Picture of Wind by JR Carpenter
Fred Carter
- Dec 22, 2020
(REVIEW) ABBODIES COLD: SPECTRE, by nicky melville
Maria Sledmere
- Dec 8, 2020
(ESSAY) ‘I must love my nothingness’: ecologies of wounding in Mai Ivfjäll's Weep Hole
C Putschkin
- Dec 4, 2020
(REVIEW) Poems of the Mare Nostrum, Costa Nostra, by Arturo Desimone
Katy Lewis Hood
- Dec 1, 2020
(REVIEW) In the Pleasure Dairy, by Helen Charman
Alex Grafen
- Nov 27, 2020
(REVIEW) Eclogues for Idle Workers, by Holly Pester
Marina Scott
- Nov 24, 2020
(REVIEW) Freedom & Prostitution, by Cassandra Troyan
Frances Whorrall-Campbell
- Nov 6, 2020
(REVIEW) Large Animals, by Jess Arndt
Rhiannon Auriol
- Nov 3, 2020
(REVIEW) States of the Body Produced by Love by Nisha Ramayya
Cleome Rawnsley
- Oct 30, 2020
(REVIEW) Instant-flex 718 and Whip-hot & Grippy by Heather Phillipson
Kat Sinclair
- Oct 27, 2020
(ESSAY) A Grief Album: Chasing Ghosts and Aliens in Phoebe Bridgers' Punisher
Michael Black
- Oct 23, 2020
(REVIEW) Political A/F: A Rage Collection, by Tara Campbell
Lauren Collee
- Oct 20, 2020
(REVIEW) bulbul calling, by Pratyusha
Helen Charman
- Oct 13, 2020
(REVIEW) LOVE MINUS LOVE by Wayne-Holloway Smith
Anna Danielewicz
- Oct 6, 2020
(REVIEW) Café by Wren's St James-in-the-Fields, Lunchtime, by Anna Błasiak
Amy Clarkson
- Oct 2, 2020
(REVIEW) Strangers by Rebecca Tamás
Miranda Cichy
- Sep 29, 2020
(REVIEW) Marine Objects / Some Language by Suzannah V. Evans
Maria Sledmere
- Sep 25, 2020
(REVIEW) Seven Leaf Sermons by Peter Larkin
Fintan Calpin
- Sep 15, 2020