(REVIEW) poetry with fallen hands: a review of Ollie Tong's choppen/oppin

(REVIEW) This is a Picture of Wind by JR Carpenter

(REVIEW) ABBODIES COLD: SPECTRE, by nicky melville

(ESSAY) ‘I must love my nothingness’: ecologies of wounding in Mai Ivfjäll's Weep Hole

(REVIEW) Poems of the Mare Nostrum, Costa Nostra, by Arturo Desimone

(REVIEW) In the Pleasure Dairy, by Helen Charman

(REVIEW) Eclogues for Idle Workers, by Holly Pester

(REVIEW) Freedom & Prostitution, by Cassandra Troyan

(REVIEW) Large Animals, by Jess Arndt

(REVIEW) States of the Body Produced by Love by Nisha Ramayya

(REVIEW) Instant-flex 718 and Whip-hot & Grippy by Heather Phillipson

(ESSAY) A Grief Album: Chasing Ghosts and Aliens in Phoebe Bridgers' Punisher

(REVIEW) Political A/F: A Rage Collection, by Tara Campbell

(REVIEW) bulbul calling, by Pratyusha

(REVIEW) LOVE MINUS LOVE by Wayne-Holloway Smith

(REVIEW) Café by Wren's St James-in-the-Fields, Lunchtime, by Anna Błasiak

(REVIEW) Strangers by Rebecca Tamás

(REVIEW) Marine Objects / Some Language by Suzannah V. Evans

(REVIEW) Seven Leaf Sermons by Peter Larkin

(REVIEW) Magnolia, 木蘭 by Nina Mingya Powles