(REVIEW) Still Like Water: Suppose a Collapse by Lucie McLaughlin

(REVIEW) Embarrassments, by Graham Foust

(REVIEW) The Burns Unit, by Nick Ines Ward

(REVIEW) Pilgrim Bell, by Kaveh Akbar

(REVIEW) In The Sick Hour & Fovea / Ages Ago

(REVIEW) Annihilation, monopoly by Robert Burton

(REVIEW) Some Loose Assemblies, by Louis Mason

(REVIEW) Electric Sarcasm, by Dimitra Ioannou

(REVIEW) Such Weird Mimicry: On Yi Sang’s Selected Works

(REVIEW) Is Callimachus the new Sappho?: After Callimachus, by Stephanie Burt

(FEATURE) Some Notes on Muss Sill by Candace Hill

(REVIEW) Days, by Simone Kearney

(REVIEW) Firewall by Dom Hale

(ESSAY) Reflections on Fossil , a fictiōnella by Ilana Halperin, by Alison Scott

(ESSAY) Love as a Question of Destination in Augustín Fernández Mallo’s Pixel Flesh

(ESSAY) Breaking the time-loop: Regurgitating Grafton Tanner’s The Circle of the Snake

(REVIEW) The Boiled in Between, by Helen Marten

(REVIEW) Fifty Sounds, by Polly Barton

(REVIEW) ON CARE by Rebecca Jagoe & Sharon Kivland (eds)

(REVIEW) Beautiful and Useless by Kim Min Jeong (trans. by Soeun Seo and Jake Levine)