(REVIEW) Such Weird Mimicry: On Yi Sang’s Selected Works

(REVIEW) Is Callimachus the new Sappho?: After Callimachus, by Stephanie Burt

(FEATURE) Some Notes on Muss Sill by Candace Hill

(REVIEW) Days, by Simone Kearney

(REVIEW) Firewall by Dom Hale

(ESSAY) Reflections on Fossil , a fictiōnella by Ilana Halperin, by Alison Scott

(ESSAY) Love as a Question of Destination in Augustín Fernández Mallo’s Pixel Flesh

(ESSAY) Breaking the time-loop: Regurgitating Grafton Tanner’s The Circle of the Snake

(REVIEW) The Boiled in Between, by Helen Marten

(REVIEW) Fifty Sounds, by Polly Barton

(REVIEW) ON CARE by Rebecca Jagoe & Sharon Kivland (eds)

(REVIEW) Beautiful and Useless by Kim Min Jeong (trans. by Soeun Seo and Jake Levine)

(REVIEW) Cloud Cover, by Greg Thomas

(FEATURE) A Poem’s Shadow / Baskets in the Mirror Universe

(REVIEW) The Threadbare Coat by Thomas A. Clark

(FEATURE) The Poetry of Lana Del Rey, by Scott Morrison and Maria Sledmere

(REVIEW) Pomes & Joys: A celebratory anthology for Anna Mendelssohn (Fathomsun Press, 2020)

(REVIEW) RENDANG, by Will Harris

(REVIEW) Life Without Air, by Daisy Lafarge

(REVIEW) Utopia Pipe Dream Memory, by Anna Gurton-Wachter