(REVIEW) Beautiful and Useless by Kim Min Jeong (trans. by Soeun Seo and Jake Levine)

(REVIEW) Cloud Cover, by Greg Thomas

(FEATURE) A Poem’s Shadow / Baskets in the Mirror Universe

(REVIEW) The Threadbare Coat by Thomas A. Clark

(FEATURE) The Poetry of Lana Del Rey, by Scott Morrison and Maria Sledmere

(REVIEW) Pomes & Joys: A celebratory anthology for Anna Mendelssohn (Fathomsun Press, 2020)

(REVIEW) RENDANG, by Will Harris

(REVIEW) Life Without Air, by Daisy Lafarge

(REVIEW) Utopia Pipe Dream Memory, by Anna Gurton-Wachter

(REVIEW) Tenter by Susie Campbell

(REVIEW) poetry with fallen hands: a review of Ollie Tong's choppen/oppin

(REVIEW) This is a Picture of Wind by JR Carpenter

(REVIEW) ABBODIES COLD: SPECTRE, by nicky melville

(ESSAY) ‘I must love my nothingness’: ecologies of wounding in Mai Ivfjäll's Weep Hole

(REVIEW) Poems of the Mare Nostrum, Costa Nostra, by Arturo Desimone

(REVIEW) In the Pleasure Dairy, by Helen Charman

(REVIEW) Eclogues for Idle Workers, by Holly Pester

(REVIEW) Freedom & Prostitution, by Cassandra Troyan

(REVIEW) Large Animals, by Jess Arndt

(REVIEW) States of the Body Produced by Love by Nisha Ramayya