(REVIEW) Still Like Water: Suppose a Collapse by Lucie McLaughlin

(REVIEW) In The Sick Hour & Fovea / Ages Ago

(REVIEW) Annihilation, monopoly by Robert Burton

Teacher Voice Treatment Lecture 3, by Sarah Hayden

(ESSAY) SLIMY, STICKY, SWEET, by Fiona Glen

(FEATURE) Some Notes on Muss Sill by Candace Hill

Teacher Voice Treatment Lecture 2, by Sarah Hayden

(ESSAY) Reflections on Fossil , a fictiōnella by Ilana Halperin, by Alison Scott

(ESSAY) Love as a Question of Destination in Augustín Fernández Mallo’s Pixel Flesh

Teacher Voice Treatment Lecture 1, by Sarah Hayden

(ESSAY) Breaking the time-loop: Regurgitating Grafton Tanner’s The Circle of the Snake

ON: democracy by Meredith Grace Thompson

(ESSAY) The Opposite of Blue, by Robin Boothroyd

(FEATURE) Letters from the Editors: Spring 2021

(ESSAY) Slowstepper, by Sean McLeod

(FEATURE) A Poem’s Shadow / Baskets in the Mirror Universe

(ESSAY) The End, by Freya Johnson Ross

(ESSAY) Greys on greys in virtual days by Luke Roberts

(FEATURE) The Poetry of Lana Del Rey, by Scott Morrison and Maria Sledmere

(REVIEW) Pomes & Joys: A celebratory anthology for Anna Mendelssohn (Fathomsun Press, 2020)