(ESSAY) Where Does a Body End? Moving through a Globalised World [...] by Max Parnell

(Review) Walking The Coventry Ring Road With Lady Godiva by Cathy Galvin

(REVIEW) This Exquisite Corpse by Tawnya Selene Renelle

(REVIEW) ‘Germ Songs’ by Will Burns and Jess White

(REVIEW) Hello by Crispin Best

(REVIEW) The Last Verses of Beccán by Rowan Evans

(Essay) In Response: Toward Passion According

(REVIEW) Pain Journal Issue 3

SPAM DEEP CUTS 2019

(REVIEW) ternura / tenderness by Sarah Sophia Yanni

(REVIEW) Isha Upanishad by Mario Petrucci

(REVIEW) Earth Sign by Naomi Morris

(REVIEW) Spandrel Routine by Jack Belloli

(REVIEW) Luminous and Curious: Try To Be Better anthology, ed. by Sam Buchan-Watts and Lavinia Singe

(REVIEW) A Context in Flux: Azad Ashim Sharma’s ‘Against the Frame’

(REVIEW) some notes on Anna Cathenka’s ‘they are really molluscs’

(REVIEW) Innately Dark Objects: Black Rooms by Elisabeth Molin

(REVIEW) overlove, by Geraldine Snell (Dostoyevsky Wannabe, 2018)

(REVIEW) Not your minute turns from the blueprint: Body Work, by Tom Betteridge (SAD Press, 2018)

(SPAM Cuts Special) ONE FOR JOHN JAMES (1938-2018)